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34 UMMA Objects
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A portrait of a woman. Only her head and the upper part of her body is visible. She is wearing a hat, a dress and some earrings.&nbsp;<br /> <br /> EC 2017
Diego Rivera (Mexican)
A Woman
1955
Gift of Gilbert M. Frimet
1985/1.106
In the center of the page, there is a simple drawing of a nude woman seated. The sitter is seated on a chair; her left arm rests on the top of a chair and she is forward-facing.
Henri Matisse (French (culture or style))
Seated Nude
1907
Museum Purchase
1948/1.283
This drawing has sketches of women on both sides of the paper. The front (recto) image shows a seated woman with her hands in her lap and she faces forward. The reverse (verso) side shows another seated woman and also sketches of clothing. On the front, the artist has signed (l.r.) "R Dufy" in pencil.
Raoul Dufy (French (culture or style))
Studies of Seated Women
1905 – 1915
Gift of Gilbert Frimet
1986/2.77
Blue anodized aluminum with two laser-cut abstract shapes and orange, yellow, and white screen-printed designs based on the shape of the floorplan of the UM Duderstadt Center.
Sam Gilliam (American (North American))
Sample Anodized Aluminum with Screenprint
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.8

Sam Gilliam (American (North American))
Footprint to Perforated Volume
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.5.a-f
A wood carving of a woman holding an apple over her head.
Andre Dimanche
Eve with Apple
20th century
Gift of Dr. James L. Curtis
2011/2.182
The largest and most central image is of a man wearing a beret, neck tie, and smock. He is turned slightly to his right, and writes with a quill using his left hand while holding a smoking cigarette in his right. He looks up at the viewer. Most of his clothes and his writing surface are only suggested by broad areas of aquatint and stopped-out blank spaces. Behind him and much smaller, are images of, clockwise from left: two clowns, two women, and a ship. The left and bottom of the sheet are left blank.
Édouard Manet (French (culture or style))
Théodore de Banville tourné à gauche (Second plate)
1874
Museum Purchase
1953/2.27
A triangular formation of three figures. The one on the right is a seated male nude, the other two are partially intact sculptures that look like Classical Greek pieces. The one in the middle is a bust. The one on the left is a body on its knees, with no arms or head. The surrounding interior is done in yellows, pinks, and dark blues.
Jean Paul Slusser (American (North American))
Study in White and Grey
1943 – 1953
Gift of Robert and Elizabeth Slusser
1982/2.32
This sheet contains studies of fourteen figures in various stages of elaboration. Several of the figures are represented standing while gazing upward, including a man with an outstretched arm on the left edge of the sheet, a woman standing before a column near the center, and a man with a cross over his shoulder in the upper right corner. Two summarily sketched seated figures in the lower left corner appear to develop ideas for a similar figure placed at the foot of a column in a more detailed study near the middle of the sheet. In the upper left quadrant of the sheet appears a monk kneeling beneath a tree with a figure holding a staff standing behind him. Marked off by an octagonal frame along the lower edge is a seated female figure pointing upward with her right hand and holding a globe in her left.
Pietro Testa
Sheet of Figure Studies
1635 – 1640
Gift from the Joseph F. McCrindle Collection
2008/2.199.4
This small sketch presents a view along a waterway that passes beneath a double-arched bridge. The triangular sail of a small boat is visible just before the bridge, moored to the quai next to some sheds. A tall church with a central steeple rises on the right bank in the foreground, and two other tall buildings punctuate the middle ground and distance. The chimneys and rooflines of humbler dwellings appear on the left bank. Despite the urban setting, only a few figures may be glimpsed, including a man crossing the bridge on horseback.
Jan Josephsz van Goyen
View of a River Town with a Bridge
17th century
Gift from the Joseph F. McCrindle Collection
2008/2.199.5
This is a series of seven photos depicting a variety of hanging forms in an array of colors and black.  In some cases, paper in various colors is layered on top of the photos
Sam Gilliam (American (North American))
D. Volume Study
1996 – 2008
Transfer from the University of Michigan Art, Architecture and Engineering Libraries
2008/1.149.4.A-H
A graphite drawing of the head of a young man looking up. His shoulders point to the left of the drawing and his neck and face are upturned towards the top right side, where his gaze is directed.
Guido Reni
Head of a Young Man Looking Up
1600 – 1642
Joseph F. McCrindle Collection
2009/1.526
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